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Response and Interpretation

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dc.contributor.advisor Levine, Martin en_US
dc.contributor.author Cellerini, Kathryn Elizabeth en_US
dc.contributor.other Department of Studio Art en_US
dc.date.accessioned 2013-05-22T17:34:17Z
dc.date.accessioned 2015-04-24T14:46:18Z
dc.date.available 2013-05-22T17:34:17Z
dc.date.available 2015-04-24T14:46:18Z
dc.date.issued 2012-05-01 en_US
dc.identifier Cellerini_grad.sunysb_0771M_10896 en_US
dc.identifier.uri http://hdl.handle.net/1951/59601 en_US
dc.identifier.uri http://hdl.handle.net/11401/71175 en_US
dc.description 55 pgs en_US
dc.description.abstract Building and printing are ways of thinking as well as creating. I make artwork inspired by overwhelming personal baggage, and invite strangers to investigate or probe my guts. Once inside, I want the navigator to instigate a sensory reaction from structure, such as movement or sound. I might hope that the viewer will internalize an emotional, visceral response of their own that will be burned into their physiological memory. On issues concerning identity, mental health, memory, cognition, and the physiology that ties it all together, I want my current conceptions to evolve into more aggressive disembowelments. en_US
dc.description.sponsorship This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree. en_US
dc.format Monograph en_US
dc.format.medium Electronic Resource en_US
dc.language.iso en_US en_US
dc.publisher The Graduate School, Stony Brook University: Stony Brook, NY. en_US
dc.subject.lcsh Fine arts en_US
dc.title Response and Interpretation en_US
dc.type Thesis en_US
dc.mimetype Application/PDF en_US
dc.contributor.committeemember Pekarsky, Melvin H en_US
dc.contributor.committeemember Lutterbie, John en_US

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