DSpace Repository

Searching for Ireland in Battery Park City: Brian Tolle's Irish Hunger Memorial as a Site of Memory and Action

Show simple item record

dc.contributor.advisor Bogart, Michele , Monteyne, Joseph en_US
dc.contributor.author Pletneva Veller, Alena en_US
dc.contributor.other Department of Art History and Criticism en_US
dc.date.accessioned 2013-05-22T17:35:25Z
dc.date.accessioned 2015-04-24T14:47:15Z
dc.date.available 2013-05-22T17:35:25Z
dc.date.available 2015-04-24T14:47:15Z
dc.date.issued 2012-05-01
dc.identifier PletnevaVeller_grad.sunysb_0771M_10942 en_US
dc.identifier.uri http://hdl.handle.net/1951/59826 en_US
dc.identifier.uri http://hdl.handle.net/11401/71378 en_US
dc.description 37 pg. en_US
dc.description.abstract Created in the context of the worldwide observation of the sesquicentennial of the Great Irish Hunger of 1845-1852, Brian Tolle's Irish Hunger Memorial in New York City is a unique monument that seeks to commemorate the catastrophe, inspire future action to eradicate worldwide famine, and to both create a visual marker of American-Irish relations and encourage communication and cultural exchange between the two countries. The work is a large, multi-sensory public sculpture that occupies a historically significant part of the New York City and is easily accessible to a myriad of visitors. However, at its core, this public artwork is an Irish landscape that has been removed from its native surroundings and inserted into the urban environment of Lower Manhattan. The memorial, which eschews concrete representations of the Famine and its immediate effects, strives to go beyond historical explanations, figural representation or blame in order to address the broader, universal implications of famine. At the same time, its focus is the specific plight of the Irish during the nineteenth century. This thesis examines the role of the Irish Hunger Memorial as a commemorative object and as a symbol of Irish heritage in America. Through an exploration of the context and commissioning process of the work's creation and a reading of the experience of the work, this study will interrogate the social and political functions served by the memorial and the various ways that it engages with the creation and manipulation of collective memory and national identity. Through its alleged authenticity, the dislocated landscape both mirrors the experience of Famine era Irish immigrants to the United States, infuses physical history into an urban environment that can be seen as lacking in ancestry and heritage, and serves to perpetuate the American melting-pot myth. At the same time it aids in reshaping Irish-American history and reinforces American national identity. In order to reconcile these often contradictory aspects of the Irish Hunger Memorial and illustrate its potential impact on the public sphere this analysis will posit the work as a site of what Michael Rothberg calls "multi-dimensional memory"- a location that encourages the creation of bonds among various groups and allows for the articulation of their histories and experiences. en_US
dc.description.sponsorship This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree. en_US
dc.format Monograph en_US
dc.format.medium Electronic Resource en_US
dc.language.iso en_US en_US
dc.publisher The Graduate School, Stony Brook University: Stony Brook, NY. en_US
dc.subject.lcsh Art history en_US
dc.subject.other Hunger, Irish Famine, Melting Pot, Memorial, National Idenity en_US
dc.title Searching for Ireland in Battery Park City: Brian Tolle's Irish Hunger Memorial as a Site of Memory and Action en_US
dc.type Thesis en_US
dc.mimetype Application/PDF en_US

Files in this item

This item appears in the following Collection(s)

Show simple item record

Search DSpace

Advanced Search


My Account